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	<title>Bollywood updates</title>
	<description>Bollywood updates</description>
	<link>http://spicyflavours.net</link>
	<pubDate>Fri, 25 May 2012 09:50:14 +0000</pubDate>
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		<title>Bollywood Movie Reviews :: Yeh Khula Aasmaan</title>
		<link>http://spicyflavours.net/topic/36791-bollywood-movie-reviews-yeh-khula-aasmaan/</link>
		<description><![CDATA[With the surfacing of quality logical cinema, the film industry is no longer about mainstream masala movies. YEH KHULA AASMAAN is yet another film that intends to stir the soul with a heartwarming tale.YEH KHULA AASMAAN deals with imperative matters of our life, besides bringing back the spirit of kite flying, a great Indian tradition since many generations. The film also attempts to tell the viewer that there are no failures, only setbacks, and one needs to move forward. The message, told in the most subtle manner, does come across effectively in the closing stages. YEH KHULA AASMAAN revolves around Avinash [Raj Tandon], a youngster going through an extremely challenging phase of life due to his academic failures. He feels an immense vacuum which, unfortunately, his busy parents are unable to fill. In desperation, he visits his grandfather [Raghuveer Yadav] after several years. The grandfather uses the 'kite' to subtly impart the lessons of life and prepares Avinash to face life. Under his company, Avinash discovers many unexplored yet invaluable facets of life. YEH KHULA AASMAAN mirrors the pressures the youth faces today [peer, parental and academic pressures]. Director Gitanjali Sinha deserves accolades for thinking out of the box, for choosing a theme you can relate to, but the writing is erratic at times, especially in its second hour. Nonetheless, Gitanjali has handled the delicate moments between the grandfather and the kid well. Besides, the story of peer pressure to score in academics, the conflicting views between the new and old generations, the predicaments and bridging of the generation gap... the film seems like a chapter from our lives. The conclusion to the story -- the kite flying competition -- is appropriate, though, I wish to add, the feeling of euphoria is missing. The film has been shot at some picturesque locales and the location and setting adjoin value to its insightful theme. As for the songs, the title track is soulfully rendered. Raghuveer Yadav enacts the role of a senior citizen most efficiently. Yashpal Sharma does well, but his conversation in English is embarrassing. Raj Tandon and Anya Anand are natural. The supporting cast, all newcomers, is adequate. On the whole, YEH KHULA AASMAAN isn't perfect, but likeable nonetheless. A simple story that strikes a chord!<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/criticreview/id/551005' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Fri, 25 May 2012 09:50:14 +0000</pubDate>
		<guid>http://spicyflavours.net/topic/36791-bollywood-movie-reviews-yeh-khula-aasmaan/</guid>
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		<title>Bollywood Movie Reviews :: Arjun - The Warrior Prince</title>
		<link>http://spicyflavours.net/topic/36790-bollywood-movie-reviews-arjun-the-warrior-prince/</link>
		<description><![CDATA[I genuinely feel that Ramayana and Mahabharata are most fascinating and spellbinding stories. These epics are simply perfect, unique and beyond compare. Naturally, it doesn't come as a surprise that Ramayana and Mahabharata have inspired film-makers in every decade. Though narrated inestimable times on celluloid, director Arnab Chaudhuri attempts an animated mythological that makes you sit back and relish the legend on screen -- ARJUN THE WARRIOR PRINCE.Told with elegance, ARJUN THE WARRIOR PRINCE catches your attention for varied reasons: The animation, which is vivacious and vibrant, the energetic combat scenes, but most importantly, it's narrated in the most simplistic manner. For those who're well aware, and even those who aren't, it's a faithful retelling of one of our favorite stories. Even the speech is not chaste Sanskrit and strikes a chord with the viewer. The epic animated feature narrates the heroic journey of the legendary warrior prince, Arjun, from the days of his youthful innocence to his emergence as a valiant hero, who single-handedly took on an entire army. It explores his life with his brothers in Hastinapur, his training and education and his ultimate discovery of the warrior within himself. While ARJUN THE WARRIOR PRINCE takes a step frontward as far as the animation is concerned -- the conception artists have worked really hard to recreate the era, while the animators breathe life into them -- the two issues that I have with the film is [i] The leisurely pacing, at times, destabilizes these efforts and [ii] The culmination seems abrupt. Ideally, one would've expected the storyteller to include the historic Kurukshetra war between Pandavas and Kauravas, but it concludes prior to that. Seems like the director was in a tearing rush to conclude the film. Yet, despite the inadequacies, I'd like to make a special note of the animatronics here, which is more refined than the animation films made in India. The animation is not superlative, but much superior to most we've witnessed thus far. If you've braved the animation films made in India in the past, this one will come as a pleasant and welcome change. On the whole, ARJUN THE WARRIOR PRINCE needs to be watched for its animation, for its storytelling and most importantly, it makes an earnest effort to relive the mythology.<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/criticreview/id/538351' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Thu, 24 May 2012 12:23:43 +0000</pubDate>
		<guid>http://spicyflavours.net/topic/36790-bollywood-movie-reviews-arjun-the-warrior-prince/</guid>
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		<title>Bollywood Movie Previews :: Chakradhaar</title>
		<link>http://spicyflavours.net/topic/36789-bollywood-movie-previews-chakradhaar/</link>
		<description><![CDATA[The movie is set in Banaras in today's time of politics and corruption. Shravan is a simple but righteous son of a peon who joins Banaras University for his post graduation on his father's insistence. He is romantically inclined toward the Principal's daughter. A University topper and a man of principles, Shravan notices that a lot of corruption is happening in the University. He actively involves himself in the fight against corruption. This fight doesn't go unnoticed by the local MLA Dharmraj Chaudhary, who finds ways to push Shravan to the edge and destroys everything in his life. After Shravan's life is saved by an honest cop, he makes a pledge to fight back. In the most smartly directed action sequences, Shravan transitions into Pandit, a goon who only fights with Chaudhary and his brothers Balraj and Yograj to take revenge. In the strange twist and turn of event, Pandit becomes successful in taking his revenge and ends his phase as Pandit on the note of redemption.<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/cast/id/551783' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Wed, 23 May 2012 16:25:17 +0000</pubDate>
		<guid>http://spicyflavours.net/topic/36789-bollywood-movie-previews-chakradhaar/</guid>
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		<title>Refreshing Look Salwar Kameez With Dupatta</title>
		<link>http://spicyflavours.net/topic/36788-refreshing-look-salwar-kameez-with-dupatta/</link>
		<description><![CDATA[<span rel='lightbox'><img src='http://indiaemporium.com/media/catalog/product/cache/1/image/9df78eab33525d08d6e5fb8d27136e95/9/2/928.jpg' alt='Posted Image' class='bbc_img' /></span><br />
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		<pubDate>Wed, 23 May 2012 12:04:30 +0000</pubDate>
		<guid>http://spicyflavours.net/topic/36788-refreshing-look-salwar-kameez-with-dupatta/</guid>
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		<title>Bollywood Music Reviews :: Rakhtbeej</title>
		<link>http://spicyflavours.net/topic/36786-bollywood-music-reviews-rakhtbeej/</link>
		<description><![CDATA[<strong class='bbc'>EXPECTATIONS</strong>When it is tough to decipher even the meaning of a film's title, there are all the less expectations that one has from the music. Add to that the fact that there is absolutely nothing known about <em class='bbc'>Rakhtbeej</em> and apprehensions about this musical score from Satish-Ajay (with lyrics by Ravi Mantwal) only grows further. <strong class='bbc'>MUSIC</strong>Mamta Sharma is the voice for Rakhi Sawant as she goes about singing '<strong class='bbc'><em class='bbc'>Lattoo</em></strong>'. While there is no denying the fact that for any song to work it is the basic tune that plays an important role, once can also not ignore the fact that it also depends upon the overall setting as well. Mamta had has recently delivered a hit with another raunchy number '<em class='bbc'>Aa Re Pritam Pyaare</em>' and one of the major reasons it works is due to the platform it enjoys. Now in '<em class='bbc'>Latto</em>' too Mamta does well but neither the tune nor the setting compliments her presence behind the mike which means the song would disappear in a jiffy. The way '<strong class='bbc'><em class='bbc'>Itni Bhi Main Buri Nahi</em></strong>', it gives an indication of a love song in the offering. However its arrangements are so old fashioned that one fasts loses interest. As Neha Bhasin begins her rendition, you know that this one is a song of seduction. With lyrics that go as '<em class='bbc'>Baby I Am On Fire</em>', you know that the setting here totally belongs to the 90s (and that too in not in a very good way). Co-composer Ajay (Mantwal) brings himself on as a singer as well (after '<em class='bbc'>Latoo</em>') but doesn't register any impact. So is the case with the song as well which belongs to quick skip variety. There is some spunk though in the way title song '<strong class='bbc'><em class='bbc'>Rakhtbeej</em></strong>' begins. With a Western setting to it, it also has some vociferous singing from 'Vinod Rathod'. There are some heavy duty lyrics that take forward this song that may come during the opening credit sequence and some dramatic junctions of the film. However the song never manages to make an impression that would qualify it to be heard outside the film's narrative. Only number that actually manages to catch your attention to some extent at least is '<strong class='bbc'><em class='bbc'>Adha Gila</em></strong>'. Aishwarya Nigam sings this one with a punch as he goes about narrating the conflict which plays in the mind of the central protagonist. Ravi Mantwal's lyrics are good here as they well establish all things that have been left mid-way for the lead character here. This one has the potential to make an impact as a montage sequence. Later Aishwarya also sings a much slower 'sad version' though one would still want to go back to the original number. However all enthusiasm goes for a toss as a well tuned song is let down by the vocals of newcomer Nidhi Prabha. With all due encouragement for young talent, the fact remains that '<strong class='bbc'><em class='bbc'>Naina Hue Banware</em></strong>' could have turned out to be a much better outing (it isn't great but still can be heard at least) if only there was a better singer at the helm of affairs.&nbsp;&nbsp;A mandatory club song makes an appearance soon after in the form of '<strong class='bbc'><em class='bbc'>Bolbaala</em></strong>' and manages to dilute the disappointment of the song gone by to a little extent at least. Leave aside lyrics like 'Whole Night Party Karenge, Tere Baap Ka Kya', this one benefits from a safe tune that can promise some interest level amongst audience if complimented by good visuals. Sung by Abhijeet Sawant, Deepak Giri and Chandana Baruah, '<em class='bbc'>Bolbaala</em>' is repeated with Shaan and Chandana. This one is at least catchy, a feat that not many songs in the album otherwise manage. <strong class='bbc'>OVERALL</strong>A largely forgettable soundtrack, it is hardly expected to help the film's cause. <strong class='bbc'>OUR PICK(S) </strong><em class='bbc'>Adha Gila</em><br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/musiccriticreview/id/550358' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Mon, 21 May 2012 12:43:42 +0000</pubDate>
		<guid>http://spicyflavours.net/topic/36786-bollywood-music-reviews-rakhtbeej/</guid>
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		<title>Bollywood Music Reviews :: Yeh Khula Aasmaan</title>
		<link>http://spicyflavours.net/topic/36787-bollywood-music-reviews-yeh-khula-aasmaan/</link>
		<description><![CDATA[<strong class='bbc'>EXPECTATIONS</strong>There isn't much known about the film <em class='bbc'>Yeh Khula Aasmaan</em> expect for the fact that it is about a boy who is facing challenges in his life during his growing up years. Since the film has an offbeat theme, one expects the same from the music as well. The film marks the comeback of composer duo of Anand-Milind but one does wonder what's the kind of soundtrack they would have in the offing here. Ravi Chopra is the lyricist. <strong class='bbc'>MUSIC</strong>The way '<strong class='bbc'><em class='bbc'>Har Ghadi</em></strong>' begins, one is instantly reminded of '<em class='bbc'>Jab Koyi Baat Bigad Jaaye</em>' [<em class='bbc'>Jurm</em>] which itself was an inspiration from a Western song. Nevertheless, despite the similarities here, '<em class='bbc'>Har Ghadi</em>' by Kunal Ganjawalla does stay with you after it has been heard first. A sad song about the protagonist who is wondering about things going wrong in his life, it is a rather uncharacteristic beginning to the album. After Kunal, it is the turn of Gayatri Ganjawalla to come behind the mike, this time for '<strong class='bbc'><em class='bbc'>Tum Mile</em></strong>'. Lyrics here are quite ordinary though with routine words spun to make a romantic outing that has Soham Chakraborty joining Gayatri behind the mike. The tune by itself isn't any exciting either and seems like a pale shadow of the wonderful work that Anand-Milind had come up with during the 90s. Moreover, even the arrangements are way too ordinary in the name of being simple. Suresh Wadekar and Swapnil Bandodkar come together for '<strong class='bbc'><em class='bbc'>Aari Aari</em></strong>', a lullaby. Sounding nothing better than a 'sugam sangeet' outing that was left way back in the 80s, this one further adds on to the dull mood of the album and actually succeeds in putting a listener to sleep. Raghubir Yadav tries to perk up the proceedings with '<strong class='bbc'><em class='bbc'>Ur Fur Kar</em></strong>' but the tune is hardly the kind that would make the song cover the kind of distance that his '<em class='bbc'>Mehngai Dayain</em>' (<em class='bbc'>Peepli [Live] </em>) had managed. This one too has a rustic flavour to it where Raghubir and Ravi Chopra attempt to draw parallels between life and a kite. However the end result is hardly the kind that would make the song fly high. A much more contemporary version of the same song appears as '<strong class='bbc'><em class='bbc'>Zindagi Bhi Patang Hai</em></strong>' but beyond adding to the situational appeal of the narrative, this Amey Date sung track hardly leaves an impression. <strong class='bbc'>OVERALL</strong><em class='bbc'>Yeh Khula Aasmaan</em> promises to tell a noble cause and the music also never loses sight of the message if wants to convey. However the compositions are hardly the kind that leave even a momentary impression, leave aside a long lasting one. <strong class='bbc'>OUR PICK(S) </strong>&nbsp;&nbsp;<em class='bbc'>Har Ghadi</em><br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/musiccriticreview/id/551005' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Mon, 21 May 2012 12:36:37 +0000</pubDate>
		<guid>http://spicyflavours.net/topic/36787-bollywood-music-reviews-yeh-khula-aasmaan/</guid>
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		<title>Bollywood Movie Previews :: Shooter</title>
		<link>http://spicyflavours.net/topic/36784-bollywood-movie-previews-shooter/</link>
		<description><![CDATA[Shooter is a hard-core action film, with raw street fights and is based on the story about a cop and his informer.<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/cast/id/551538' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Sat, 19 May 2012 12:18:37 +0000</pubDate>
		<guid>http://spicyflavours.net/topic/36784-bollywood-movie-previews-shooter/</guid>
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		<title>Bollywood Movie Reviews :: Mr Bhatti On Chutti</title>
		<link>http://spicyflavours.net/topic/36782-bollywood-movie-reviews-mr-bhatti-on-chutti/</link>
		<description><![CDATA[Anupam Kher's long-delayed MR. BHATTI ON CHUTTI has finally hit the screens. The reports doing the rounds is that MR. BHATTI ON CHUTTI is a <em class='bbc'>desi</em> replication of MR. BEAN'S HOLIDAY, with the central character modeled on the peculiar Englishman made legendary by Rowan Atkinson. Of course, our Mr. Bhatti is a cheerful Punjabi, who, unlike his equivalent, doesn't head for Cannes, but England. A similar meaning title [MR. BHATTI ON CHUTTI and MR. BEAN'S HOLIDAY], both [Anupam Kher, Rowan Atkinson] embarking on a holiday after having won a free trip, both the characters experiencing a misadventure while on their holidayâ¦ the similarities cannot be ignored. Of course, Karan Razdan has changed the story to suit the Indian sensibilities, but the quintessence remains the same. Well, if MR. BHATTI ON CHUTTI is meant to be a tribute to Mr. Bean, all I can say is that it's more of an appalling imitation. MR. BHATTI ON CHUTTI is set in 2005-06, the times of military aggression and war in Iraq and Afghanistan. Mr. Bhatti [Anupam Kher], a bank clerk, wins a free trip to Europe, though he has entered no contest. Who has sent him the ticket and the hotel package free of cost? How can Mr. Bhatti go on this trip without telling his favorite star, Mr. Amitabh Bachchan, about it? Never mind, if he has only met him in his dreams, thus far... In reality, all Mr. Bhatti can manage is to stand outside Mr. Bachchan's bungalow with a crowd, awaiting a glimpse of his hero. In England, all hell breaks loose as Mr. Bhatti is branded a terrorist. He is face to face with death and utilizes his last wish to call up Mr. Bachchan. Mr. Bachchan once again inspires Bhatti so much that his fan can defy death and fight to save humanity. And Mr. Bhatti, whom we all thought was an idiot, a buffoon, now turns the tables and decides to focus on world peace. On the surface, MR. BHATTI ON CHUTTI is a comedy, but the intent is to offer more than a few laughs. The protagonist dreams of a peace plan in a world devastated by warfare and starvation. The concept may be attention-grabbing, but the writing as well as the execution of the material fails to do justice to a noble thought. A few comic scenes do raise a chuckle, but the outcome is completely puerile. The screenplay is juvenile and on numerous junctures makes you squirm in your seat. The film demands over the top acting from each and every member of the cast. Anupam Kher is loud, but delivers. Shakti Kapoor is wasted in an inconsequential role. Bhairavi Goswami, Pawan Shankar, Neha Pendse and Emma Kearney [as Alice] try too hard to act. Abid Ali is convincing as the cop. Anjan Srivastava is okay. Amitabh Bachchan appears in a cameo. On the whole, MR. BHATTI ON CHUTTI is an amateurish attempt.<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/criticreview/id/504770' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Fri, 18 May 2012 11:52:10 +0000</pubDate>
		<guid>http://spicyflavours.net/topic/36782-bollywood-movie-reviews-mr-bhatti-on-chutti/</guid>
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		<title>Bollywood Movie Reviews :: Department</title>
		<link>http://spicyflavours.net/topic/36783-bollywood-movie-reviews-department/</link>
		<description><![CDATA[For a really long time, he has been attempting the kind of movies he aspires to make, with not much concern for the BO. The uneven response to his last few films at the ticket window hasn't shaken the confidence that viewers have in his abilities. His past few films were nowhere close to SHIVA, RANGEELA, SATYA, COMPANY, BHOOT, SARKAR, SARKAR RAJ and RAKTA CHARITRA-I, but regardless of the BO outcome, Ramgopal Varma is one film-maker who continues to make movies that he believes in.Earlier, in NOT A LOVE STORY and now, in DEPARTMENT, RGV has dared to re-invent the cinematic language by changing the visual imagery. While the visual style is worth applauding and catches your eye instantly -- RGV has filmed in angles not witnessed before in Hindi films -- it's the erratic and inconsistent writing that bogs down DEPARTMENT. No one illustrates the underbelly of crime on celluloid as persuasively as RGV. The issue with DEPARTMENT is *not* the beaten to death genre, but the screenplay that has nothing novel to offer. Encounter specialists, ruthless gangsters, inter-gang rivalry, corrupt politiciansâ¦ haven't we had our fill already? One could never lay blame on RGV for taking the tried and tested route, opting for easy shortcuts while narrating a story. But, in DEPARTMENT, all you remember is style, while the substance goes for a toss. Alarmed at the hitherto unseen escalation in underworld criminal activities, the government officials hold a secret meeting in which they take a decision to create a new unit which is unofficially referred to as 'Department'. This special task force is formed to clean up the muck caused by gangsters. DEPARTMENT throws light on the power struggle that exists in the police department and one expects RGV to narrate a story we haven't heard or witnessed before. Sadly, the already exhausted genre curtails the maverick film-maker to spring surprises. To put it bluntly, DEPARTMENT is old wine packaged in a brand new bottle. Right from the characters, which we have witnessed in soooo many films of this genre, to the twists and turns in the story, RGV borrows from the past endeavors, instead of moving frontward. Besides, in an attempt to make it more mass-friendly, more 'commercial', RGV forcibly injects a couple of songs in the narrative [barring 'Cheeni', filmed on an alluring Nathalia Kaur] that are completely unwelcome in an enterprise that's out to depict realism. DEPARTMENT is soaked in high-voltage drama and action, with a consistent undercurrent of tension. As a matter of fact, there's an overdose of action in the film, though, I must admit, a few action pieces, especially the final showdown between Sanju and Rana, is deftly executed. But the absence of a riveting and absorbing screenplay looms large in the post-interval portions. Sure, some sequences do hit you hard, but the writing tilts heavily towards been-there-seen-that kind of situations persistently, promising little or no surprise as the plot unravels. RGV's obsession with the camera is evident here as well. He does away with the usual visual language this time, which is sure to win him admirers. The background score [Dharam-Sandeep] enhances the impact, while the dialogue are power-packed at times, but plain mediocre at places. The central characters get extensive scope and absolutely surrender to RGV's vision. Amitabh Bachchan is remarkably credible. Sanjay Dutt stands out with a prominent performance. But it is Rana Dagubatti who surfaces as an accomplished actor. Rana has remarkable screen charisma and is convincing in his superior portrayal of a cop. Vijay Raaz's character lacks meat. Abhimanyu Singh enacts his part with gusto. Madhu Shalini [Abhimanyu's love interest] catches your eye. Laxmi Manchu [Sanju's wife] is proficient. Anjana Sukhani underplays her part wonderfully. Deepak Tijori doesn't get much scope. On the whole, DEPARTMENT is neither novel, nor experimental, but a return to the tried and tested formula. Disappointing!<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/criticreview/id/537948' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Fri, 18 May 2012 10:54:47 +0000</pubDate>
		<guid>http://spicyflavours.net/topic/36783-bollywood-movie-reviews-department/</guid>
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		<title>Bollywood Music Reviews :: Ferrari Ki Sawaari</title>
		<link>http://spicyflavours.net/topic/36781-bollywood-music-reviews-ferrari-ki-sawaari/</link>
		<description><![CDATA[<strong class='bbc'>EXPECTATIONS</strong>One isn't quite terribly excited about checking out the songs of '<em class='bbc'>Ferrari Ki Sawaari</em>'. Even though people at the helm of affairs are the likes of Vidhu Vinod Chopra and Pritam, you do get an impression that the music here would be an out and out situational outing which may start making a much better impression only after the film's release. With apprehensions around what really is in the offering, one plays on the album. <strong class='bbc'>MUSIC</strong>The way '<strong class='bbc'><em class='bbc'>Maara Re</em></strong>' begins, it reminds one of the anthem music that was played during the '<em class='bbc'>Munnabhai</em>' series. In fact one can clearly sense Vidhu Vinod Chopra brand of music playing here with Pritam recreating the vision that he must have carried for '<em class='bbc'>Ferrari Ki Sawaari</em>'. A song about cricket, '<em class='bbc'>Maara Re</em>' is written by 'Swanand Kirkire' with Sonu Nigam, Rana Majumdar, Aishwarya Nigam and Ashish coming together for this song that has a good pace and rhythm to it. In fact it is surprising that in this IPL season this song is not quite utilised to the fullest since it has the potential to find favour amongst news and commentary. '<strong class='bbc'><em class='bbc'>Rusy's Theme</em></strong>' arrives next which is a three minute piece and has a Spanish base. It sounds quite sweet as long as it lasts and thankfully has a subtle tone to it which maintains its smooth flow. What isn't subtle though is '<em class='bbc'>Mala Jau De</em>' which is sung quite well by newcomer Urmila Dhangar. This is the much talked about item number (though Chopra doesn't wish to call it one) featuring Vidya Balan in a Marathi 'lavani' setting. Guru Thakur's lyrics compliment the setting as well and while Pritam keeps it all authentic here, one can again sense Chopra's influence at work here, especially in the theme sound that plays alongside. Things turn much quieter though with '<strong class='bbc'><em class='bbc'>Ae Mere Mann</em></strong>' which is about the thoughts going in the mind of a child who is up for his big mission. Written by Swanand Kirkire and sung by Shyamantan Das, this is also the longest track in the album with duration of over five minutes. A song about truthfulness and the desire to walk the talk despite the path being full of thorns, this one has a thematic feel to it and would be much more meaningful if complimented by just the right setting and visuals in the film's narrative. Amitabh Bhattacharya pitches in with lyrics for the remaining two songs of the album. Starting with '<strong class='bbc'><em class='bbc'>Good Night</em></strong>', he comes up with a lullaby which appears to be a legacy left by a mother to her child. With a '<em class='bbc'>Taare Zameen Par</em>' deja vu prevalent in the song, this one is sung well by Priyani Vani Pandit who almost seems to be whispering in a child's ears. '<strong class='bbc'><em class='bbc'>Chal Ghoome (Ferrari Ki Sawaari) </em> </strong>' which arrives next is the best of lot. Though this one has a good pace, it starts rather slow. In fact one would have preferred a beginning akin to that of '<em class='bbc'>Maara Re</em>' or '<em class='bbc'>Mala Jau De</em>' since a song like this would have done better with an out and out racy presentation. Nevertheless, one has to give it to Pritam here for churning out the tune in such an old fashioned manner that it promises to enhance the simplistic mood of the film. Also, credit to Shaan for singing in a voice that totally compliments Sharman Joshi. One hears Boman Irani and Aayush Phukan faintly as well. It's an easy going outing though with '<strong class='bbc'><em class='bbc'>Life Yeh Mausambi Si</em></strong>' which has a laidback feel to it, as conveyed in the way it is tuned. K Mohan sings this one in the same style as that of Mohit Chauhan and does a good job in ensuring that one can play it on in a repeat mode and still not get bored. Of course one does remember 'Life Bahaut Simple Hai' (Stanley Ka Dabba) since the theme, treatment and the core ideology behind living life is just the same. Moreover, lyrics by Satyanshu and Devanshu Singh are simple too and conclude '<em class='bbc'>Ferrari Ki Sawaari</em>' on a satisfactory note. <strong class='bbc'>OVERALL</strong>'<em class='bbc'>Ferrari Ki Sawaari</em>' is a decent album which, as expected, has a situational theme and presentation to it. This also means that it limits the commercial aspects as would reach out to the audience better after the film has been released. If and when the film succeeds, '<em class='bbc'>Ferrari Ki Sawaari</em>' can expect to find much more acceptance amongst the audience. However one does feel that there should be much more emphasis on ensuring that '<em class='bbc'>Maara Re</em>' reaches out to much wider 'junta' this cricket season. <strong class='bbc'>OUR PICK(S) </strong><em class='bbc'>Maara Re, Chal Ghoome (Ferrari Ki Sawaari), Mala Jau De</em><br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/musiccriticreview/id/505855' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Wed, 16 May 2012 14:47:09 +0000</pubDate>
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		<title>Bollywood Music Reviews :: Ferrari Ki Sawaari</title>
		<link>http://spicyflavours.net/topic/36778-bollywood-music-reviews-ferrari-ki-sawaari/</link>
		<description><![CDATA[<strong class='bbc'>EXPECTATIONS</strong>One isn't quite terribly excited about checking out the songs of <em class='bbc'>Ferrari Ki Sawaari</em>. Even though people at the helm of affairs are the likes of Vidhu Vinod Chopra and Pritam, you do get an impression that the music here would be an out and out situational outing which may start making a much better impression only after the film's release. With apprehensions around what really is in the offering, one plays on the album.<strong class='bbc'>MUSIC</strong>The way '<em class='bbc'><strong class='bbc'>Maara Re</strong></em>' begins, it reminds one of the anthem music that was played during the <em class='bbc'>Munnabhai</em> series. In fact one can clearly sense Vidhu Vinod Chopra brand of music playing here with Pritam recreating the vision that he must have carried for <em class='bbc'>Ferrari Ki Sawaari</em>. A song about cricket, '<em class='bbc'>Maara Re</em>' is written by 'Swanand Kirkire' with Sonu Nigam, Rana Majumdar, Aishwarya Nigam and Ashish coming together for this song that has a good pace and rhythm to it. In fact it is surprising that in this IPL season this song is not quite utilised to the fullest since it has the potential to find favour amongst news and commentary. '<em class='bbc'><strong class='bbc'>Rusy's Theme</strong></em>' arrives next which is a three minute piece and has a Spanish base. It sounds quite sweet as long as it lasts and thankfully has a subtle tone to it which maintains its smooth flow. What isn't subtle though is '<em class='bbc'>Mala Jau De</em>' which is sung quite well by newcomer Urmila Dhangar. This is the much talked about item number (though Chopra doesn't wish to call it one) featuring Vidya Balan in a Marathi 'lavani' setting. Guru Thakur's lyrics compliment the setting as well and while Pritam keeps it all authentic here, one can again sense Chopra's influence at work here, especially in the theme sound that plays alongside. Things turn much quieter though with '<em class='bbc'><strong class='bbc'>Ae Mere Mann</strong></em>' which is about the thoughts going in the mind of a child who is up for his big mission. Written by Swanand Kirkire and sung by Shyamantan Das, this is also the longest track in the album with duration of over five minutes. A song about truthfulness and the desire to walk the talk despite the path being full of thorns, this one has a thematic feel to it and would be much more meaningful if complimented by just the right setting and visuals in the film's narrative. Amitabh Bhattacharya pitches in with lyrics for the remaining two songs of the album. Starting with '<em class='bbc'><strong class='bbc'>Good Night</strong></em>', he comes up with a lullaby which appears to be a legacy left by a mother to her child. With a <em class='bbc'>Taare Zameen Par</em> deja vu prevalent in the song, this one is sung well by Priyani Vani Pandit who almost seems to be whispering in a child's ears. The album ends on a high with '<em class='bbc'><strong class='bbc'>Chal Ghoome (Ferrari Ki Sawaari)</strong></em>' which is the best of lot. Though this one has a good pace, it starts rather slow. In fact one would have preferred a beginning akin to that of '<em class='bbc'>Maara Re</em>' or '<em class='bbc'>Mala Jau De</em>' since a song like this would have done better with an out and out racy presentation. Nevertheless, one has to give it to Pritam here for churning out the tune in such an old fashioned manner that it promises to enhance the simplistic mood of the film. Also, credit to Shaan for singing in a voice that totally compliments Sharman Joshi. One hears Boman Irani and Aayush Phukan faintly as well. <strong class='bbc'>OVERALL</strong><em class='bbc'>Ferrari Ki Sawaari</em> is a decent album which, as expected, has a situational theme and presentation to it. This also means that it limits the commercial aspects as would reach out to the audience better after the film has been released. If and when the film succeeds, <em class='bbc'>Ferrari Ki Sawaari</em> can expect to find much more acceptance amongst the audience. However one does feel that there should be much more emphasis on ensuring that '<em class='bbc'>Maara Re</em>' reaches out to much wider 'junta' this cricket season. <strong class='bbc'>OUR PICK(S) </strong><em class='bbc'>Maara Re, Chal Ghoome (Ferrari Ki Sawaari), Mala Jau De</em><br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/musiccriticreview/id/505855' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Wed, 16 May 2012 14:47:09 +0000</pubDate>
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		<title>Bollywood Movie Previews :: Mere Dad Ki Maruti</title>
		<link>http://spicyflavours.net/topic/36779-bollywood-movie-previews-mere-dad-ki-maruti/</link>
		<description><![CDATA[Mere Dad Ki Maruti (MDKM), it's an outrageous comedy set against the backdrop of a loud Punjabi wedding in Chandigarh. MDKM tells the story of a boy who sneaks his dad's fancy new car out to impress the college hottie and how all hell breaks loose when he loses it!<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/cast/id/551525' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Wed, 16 May 2012 10:40:37 +0000</pubDate>
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		<title>Bollywood Movie Previews :: Ferrari Ki Sawaari</title>
		<link>http://spicyflavours.net/topic/36777-bollywood-movie-previews-ferrari-ki-sawaari/</link>
		<description><![CDATA[A little boy thinks of nothing but cricket.His father, Rusy, thinks of nothing but his little boy.To fulfill his son's dream of playing at Lord's cricket ground, the honest and upright Rusy performs the first small act of dishonesty in his life.He borrows a gleaming red Ferrari. Just for one hour. The only trouble- he doesn't inform its legendary owner.A wild, breathless, bumpy ride begins.A ride that leads to a menagerie of amazing characters: a wedding planner who'll stop at nothing, a Laurel-and-Hardyesque pair of loyal attendants, a greedy politician and his reckless son, a mechanic who specializes in stolen cars...As the Ferrari zooms through this chaotic world of street-thugs and mass-weddings, another saga unfolds-a grumpy old man and his secret wounds, and an epic rivalry that goes back fifty years.A naive Rusy must dodge bullets and bouncers for one unforgettable night, and play the role of a perfect father. Can he do it?Ferrari Ki Sawaari is a heartwarming story of small guys and their big dreams...And how one night changes their lives forever.Fasten your seatbelts. The joyride awaits...<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/cast/id/505855' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Mon, 14 May 2012 17:09:08 +0000</pubDate>
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		<title>Bollywood Movie Reviews :: Ishaqzaade</title>
		<link>http://spicyflavours.net/topic/36773-bollywood-movie-reviews-ishaqzaade/</link>
		<description><![CDATA[Habib Faisal's directorial debut DO DOONI CHAAR, starring Rishi Kapoor and Neetu Kapoor, depicted the aspirations of a middle-class family. It won immense critical acclaim, appreciation of the viewers and the Best Hindi Film National Award. Now his second film ISHAQZAADE has generated tremendous buzz thanks to its raw and edgy trailers, likable music and also for its setting -- the Hindi belt where guns still reign supreme. And you aren't disappointed either, for the film meets the lofty expectations, assuring you that the 2+ hours were well worth it!Yash Raj Films returns to the era of action after a hiatus, but they have not done away with their core USP, romance, as ISHAQZAADE is a passionate love story, which is the emphasizing theme of the film. In fact, ISHAQZAADE is not only about aggression and romance, you also get a glimpse of the arrogance and conceit of people in small towns in India. The story unfurls in the idealistic and intimidating scenario of North India. ISHAQZAADE depicts the love story of two defiant, rebellious individuals. A passionate love story ignited by extreme dislike. It revolves around two disputing political families, two fiery individuals and their battle for control and superiority. The two characters, Parma [Arjun Kapoor] and Zoya [Parineeti Chopra], who have been told since early days to detest each other, are almost equipped to eradicate each other and then something happens in their life post which they realize they are actually quite alike. They start wondering when we both are so similar in our personality and stance, why have we got this extreme dislike for each other? In such a setting, when two people, who have been loathing each other all this while, fall in love, things go askew. The chemistry between Arjun Kapoor&nbsp;&nbsp;and Parineeti Chopra&nbsp;&nbsp;on screen certainly follows the model of the chemistry that was created in DILWALE DULHANIA LE JAYENGE, BUNTY AUR BABLI and BAND BAAJA BAARAAT. It's infectious and that, in my opinion, is the hallmark of the film, besides the script of course. In the initial portions, both Arjun and Parineeti are at loggerheads, bartering cusswords, flaunting guns and trying to be one-up on the other. Their love story towards the middle of the first part is equally electrifying and the portrayal by Arjun and Parineeti gives the film the required sheen. The post-interval portions have several euphoric moments. The heated conversation involving Arjun's mother and the aftermath is brilliantly penned and executed. Ditto for the sequence when Arjun apologises to Parineeti in this hour. It's truly emotional! The only hitch is that the film slows down before it reaches the finale thanks to some unwanted sequences [the sequence in the laboratory] and some songs in this hour. The culmination to the film is a highpoint and mirrors a reality as well. Habib Faisal belongs to a fresh class of writers and film-makers who does away with the beaten to death drama that one gets to watch in films of this genre. Filmed at actual locations of Uttar Pradesh, the story of ISHAQZAADE has universal appeal and could have been set in any of the big cities, but the small town milieu lends the plot a kind of passion missing in large metros. Perhaps, the magnetism towards love is that much stronger in a small town, also the conflict of the people opposing love is manifold stronger likewise. Amit Trivedi, one of the most gifted and skilled musical talents, comes up with a harmonious and pleasant-sounding album. 'Ishaqzaade', 'Pareshan', 'Aafton Ke Parinde and 'Chokra Jawan' -- each of those tracks are popular already. The best part is, the songs of ISHAQZAADE have not been filmed on romantic landscapes, but at humdrum locations, which makes it so real and very much in sync with the mood of the film. I'd like to make a special mention of the cinematography [Hemant Chaturvedi], which captures the essence of North India and the rustic flavor so well. The background score [Ranjit Barot] adds a lot of pep, while the action and chase sequences [Sham Kaushal] are wonderful. Arjun Kapoor makes a fantastic debut. He has a peerless body language and a 'I-don't-give-a-damn' kind of an approach in the movie. The youngster, with his untidy look and impish smile, has already won female reverence prior to the release of the film and after having watched him emote, you can confidently say that he's blessed to depict this rebellious character in his launch vehicle itself. He comes across as fiery and rustic and at the same time self-assured and assertive in this reckless and intrepid character. To acquire a film of this scale and magnitude is a triumph by itself for a beginner, for a script and character like this happen once in a while. Parineeti Chopra is simply fantastic in this high-voltage drama. Playing the part of a spirited gun-toting girl, she is not the regular timid, decorous, withdrawn Hindi film heroine. She portrays the violent behavior coupled with the audacious and brash attitude with aplomb. Gauhar Khan is lovely in a special role. Also, she dances very well in the two tracks. Anil Rastogi [as Arjun's grand-father], Natasha Rastogi [as Arjun's mother] and Ratan Rathore [as Parineeti's father] are natural to the core. On the whole, ISHAQZAADE, a volatile and intense story with ample doses of fanatical romance, should appeal to a pan-India audience. This broadly engaging love story has a winsome pair who deliver dexterous performances, besides popular music and several poignant moments, which should appeal to fans of mainstream films. Go for it!<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/criticreview/id/548051' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Fri, 11 May 2012 15:49:28 +0000</pubDate>
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		<title>Bollywood Movie Previews :: Ata Pata Lapata</title>
		<link>http://spicyflavours.net/topic/36775-bollywood-movie-previews-ata-pata-lapata/</link>
		<description><![CDATA[Ata Pata Lapata is an exciting musical satire based on the loopholes and exploited systems of life. Be it the governance, the bureaucratic systems, or the unspoken pattern in which a society runs, Ata Pata Lapata exposes the selfish attitude of people in power; those who have it and those who want it.<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/cast/id/537924' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Fri, 11 May 2012 14:58:26 +0000</pubDate>
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		<title>Bollywood Movie Reviews :: Dangerous Ishhq</title>
		<link>http://spicyflavours.net/topic/36774-bollywood-movie-reviews-dangerous-ishhq/</link>
		<description><![CDATA[After making a series of horror films, Vikram Bhatt enters a new zone with DANGEROUS ISHHQ. This one's about Past Life Regression.For those not conversant with it, Past Life Regression is one's expedition, through meditation or hypnosis, into your previous birth. An unsolved past life experience could be distressing in one's current life. Past Life Regression or Therapy can significantly aid the person in understanding these problems and help them reclaim the quality of life by understanding and altering the root causes of these symptoms. In DANGEROUS ISHHQ, Karisma Kapoor attempts to unravel, through Past Life Regression, the mystery adjoining her past lives. But this isn't the first Indian film on this topic. SONAR KELLA aka THE GOLDEN FORTRESS, helmed by the master storyteller Satyajit Ray, was, to my knowledge, the first film to tackle this issue on celluloid. It narrated the story of a small boy who remembered events of his past life. He even mentioned precious jewels in a golden fortress, drawing sketches of battles he had seen. The strength of DANGEROUS ISHHQ lies is its attention-grabbing plot, which the Indian masses can relate to instantaneously. With Vikram Bhatt at the helm of affairs, who specializes in narrating taut thrillers, you can be assured of a riveting plot with several heart-in-the-mouth moments. But, alas, it's the screenplay that throws a spanner, with the over-stretched second hour and a formulaic conclusion ruining what Vikram had meticulously put together in the first half. Supermodel Sanjana [Karisma Kapoor] and Rohan [Rajneish Duggal], son of a business tycoon, are one of the most popular couples on the social circuit. When Sanjana decides against flying to Paris at the last minute for a lucrative modeling assignment, she does so not just because she cannot bear to stay away from her boyfriend Rohan, but because her instincts push her against going. But what her instincts cannot do is stop Rohan from getting kidnapped. The high-profile kidnapping creates chaos in Sanjana's life. The kidnappers demand INR 50 crores. Time is of utmost essence. Death stares Rohan in the eye. It is in this extreme trauma that Sanjana discovers something extraordinary. She sees visions of them together -- sometime in the past -- in different eras. She is confused initially, but in her visions lies definitive clues that could lead her to save the love of her life. As she follows clue after clue, she gets closer and sometimes further away from the love that has been eluding her through the ages. Would she be able to unravel the past to save her future? Would she be able to rescue her love and expose his true captors? DANGEROUS ISHHQ has an intriguing plotline and writer Amin Hajee ensures that he keeps the viewer's interest alive by incorporating episodes that keep you captivated. The sequence at the hospital -- Karisma spots a badly injured Rajneish and the portions that follow subsequently -- set the ball rolling. The shifts between the past and present, nightmare and actuality are well done. The plot becomes more and more stirring as the reels unfurl, with the portions in the first hour so perfectly executed that one buys into it each stride of the way. But the movie plummets in the post-interval portions. It's not the execution of the material that's faulty, but the screenplay that gets taxing and boring after a point. The Rajasthani episode in this hour has brilliant moments, but at the same time the Meerabai track [portrayed by Gracy Singh] is least convincing. The graph actually goes downhill during the concluding portions, when Vikram Bhatt and writer Amin Hajee decide to unravel the mystery and zero in on the person responsible for the kidnapping. It's at this point that the film falls like a pack of cards. Since different eras are being explored, it is imperative that Vikram Bhatt captures the spirit of each period appropriately and though he makes a sincere effort, the writing gives away after a point. Besides, what baffles me is the usage of 3D here. Believe me, there's not much justification for opting for 3D in DANGEROUS ISHHQ and barring a scene or two, the 3D enthusiasts are sure to be disappointed. Himesh Reshammiya's music in DANGEROUS ISHHQ is strictly okay. Barring 'Tu Hi Rab Tu Hi Dua', none of the songs have the lasting power to linger in your memory. Girish Dhamija's dialogue are functional. Karisma Kapoor puts forth her best efforts, getting to deliver lines in varied dialects. She gets the dialects right, especially Urdu and Rajasthani, but there's not much scope for her to display her acting prowess. Rajniesh Duggal gets some scope initially, but is sidelined completely in the second hour. Jimmy Shergill impresses as the cop. Divya Dutta does very well, but, again, gets no scope after a point. Ruslaan Mumtaz, Aarya Babbar and Samir Kochhar have bit roles. Ravi Kishan leaves an impression, while Natasha Sinha is perfect. Gracy Singh appears incredibly phony as Meerabai. On the whole, DANGEROUS ISHHQ is no patch on Vikram Bhatt's earlier achievements. This fantasy-driven film is an epic disappointment!<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/criticreview/id/537910' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Fri, 11 May 2012 10:00:01 +0000</pubDate>
		<guid>http://spicyflavours.net/topic/36774-bollywood-movie-reviews-dangerous-ishhq/</guid>
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		<title>Bollywood Movie Previews :: The Amazing Spider - Man</title>
		<link>http://spicyflavours.net/topic/36772-bollywood-movie-previews-the-amazing-spider-man/</link>
		<description><![CDATA[The Amazing Spider-Man is the story of Peter Parker (Garfield), an outcast high schooler who was abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben (Sheen) and Aunt May (Field). Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. Peter is also finding his way with his first high school crush, Gwen Stacy (Stone), and together, they struggle with love, commitment, and secrets. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents' disappearance - leading him directly to Oscorp and the lab of Dr. Curt Connors (Ifans), his father's former partner. As Spider-Man is set on a collision course with Connors' alter-ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/cast/id/548187' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Thu, 10 May 2012 13:34:23 +0000</pubDate>
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		<title>Bollywood Movie Previews :: Chutki Bajaa Ke</title>
		<link>http://spicyflavours.net/topic/36770-bollywood-movie-previews-chutki-bajaa-ke/</link>
		<description><![CDATA[Film "Chutki Bajaa Ke" softly and yet emphatically communicates how the orphaned survivors of the natural calamities and man-forced disasters are subject to lead the life of deprivation in the hands of their own fellow human beings. The story follows the life and tribulations of a child called Chhotu who works on a roadside dhaba. He is often mistreated by&nbsp;&nbsp;his master and some rich spoilt brats who study in a close-by school. Yet Chhotu's belief in forgiveness and his positive outlook on life eventually makes him an amicable character. Whenever hurt, Chhotu seeks solace in the kind words of&nbsp;&nbsp;Baba Khan who not only empathize with him but also acts as his guide and mentor. One day Chhotu is endowed with a charismatic amulet with super powers. Some humorous sequence follow before Chhotu makes his tormentors realize their mistakes and story sums up with a positive message for the society. Film has been inspired from several true stories of such children who are forced to work on the highway dhabas for various reasons.<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/cast/id/551307' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Wed, 09 May 2012 15:32:09 +0000</pubDate>
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		<title>Bollywood Movie Previews :: Overtime</title>
		<link>http://spicyflavours.net/topic/36771-bollywood-movie-previews-overtime/</link>
		<description><![CDATA[Overtime is based on a realistic view of life. It takes you inside the lives of these people and through the film we discover that how some un-expected turns jumble the lives of our characters and leads them to their respective destiny.Overtime is a story of Khushi who lives in Mumbai, working as a 'High Profile Call Girl' but with the dreams of becoming a heroine one day. From corrupt politician Aatre (Satish Kaushik), to big time builder Huda (Yashpal Sharma), his ambitious secretary Liza (Aarzoo Govitrikar), womanizer architect Rajeev (Zakir Hussain), to film co-coordinator Shankar (Vijay Raj)...In the middle of all this is Khushi (Swati Sharma), who is holding on to her dream of being a Heroine...she struggles to keep her hope alive against all odds... does she finally achieve what she wants?.. That journey is Overtime.<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/cast/id/541267' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Wed, 09 May 2012 13:01:33 +0000</pubDate>
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		<title>Bollywood Movie Previews :: MLA - An Inside Intruder</title>
		<link>http://spicyflavours.net/topic/36768-bollywood-movie-previews-mla-an-inside-intruder/</link>
		<description><![CDATA[MLA - An Inside Intruder is placed in a village called Bhaglipur in Madhya Pradesh, where one Industrialist from the same village is trying to generate employment by starting a Milk Factory for his people. To encash on the industrialist's goodwill with locals the sitting MLA of the district befriends him. What emerges in the end is the political betrayal towards the common man.<br /><br /><a href='http://www.bollywoodhungama.com/moviemicro/cast/id/551302' class='bbc_url' title='' rel='nofollow'>View the full article</a>]]></description>
		<pubDate>Tue, 08 May 2012 12:27:31 +0000</pubDate>
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